I call this work the Park, in reference to Henri Pittier Park on the coast of Aragua where most of the images were captured. But I could also call it the Path because it evokes walking, finding, falling in love, breathing, meditating and finally merging, dissolving until almost disappearing. The path is also more of a detour or a shortcut than a road in itself, it is the place of the unexpected.
Photography tends to be inscribed in a realist tradition, perhaps because of this direct relationship with its referent that almost always creates the illusion that the photographic image is the referent itself.
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